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The line up of virtual band Gorillaz features 2D and 3D human characters, interactive environments, and arcade games.[1][2] While initially considered just a gimmick to allow the virtual band to perform, the line up of characters became a diverse supergroup, similar to that of the Who.[6]Virtual band Gorillaz premiered in 2004 with the album Demon Days; the animated music video for the album’s opening track «DARE» became a «masterpiece»,[7] and was praised for its message about the dangers of social media, the environmental impact of human’s and for use of technology.[8][9][10] The following year, they released The Fall, which «exude[d] an organic, cosmic psychedelic vibe».[11] 2003’s track «19-2000» was used in the short film Freedom Planet, which was a direct precursor of the band’s 2005 single of the same name. It was a spoof on Japanese media corporations and the Recording Industry Association of America and was used to raise awareness of file sharing libel, along with John Lennon’s 1971 song «Power to the People».[12] It was the only Gorillaz album to be entirely recorded in front of a live audience at the Shepherd’s Bush Empire, London, a club they played frequently since they recorded The Fall there.[13] Their following 2005 single «El Manana» was used in the Barbie videogame Barbie: Ice Skating Queen.[14] Its music video was critically praised for being «the most impressive work of visual programming yet».[11] A collabo between Gorillaz and Singularity and Ben Klock entitled «Dare You to Move» was used for the Shanghai International Film Festival in 2006.[15] The 2007 song «4am», along with the music video, was a humorous song about teenagers and the subway, which was compared to their previous works, for its self-aware production.[16] Their 2008 song «Humility», which talks about the joy of simply being, was used for Honda’s Super Bowl ad.[17] The song was praised for its simple message and creative use of colors.[18] Their 2009 song «Hollywood Kills» was used for the finale of the 2009 World Cup of Poker.[19] Gorillaz’ fifth studio album, 2010’s The Fall, had a different concept than Demon Days and The Fall, pushing away from the style of Demon Days. It was applauded for its minimalist approach to music.


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